A

Appadurai, ArjunModernity at Large: Cultural Dimensions of Globalization. Minneapolis, 1996.

Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy,” in: The Anthropology of Globalization. Eds. Jonathan X. Inda and Renato Rosaldo. Oxford, 2002. 46-64.

B

Ben Atar, DoronIntellectual Piracy and the Origins of American Industrial Power. New Haven, 2004.

Benkler, YochaiThe Wealth of Networks. How Social Production Transforms Markets and Freedom. New Haven, 2007.

Bettig, Ronald VCopyrighting Culture: The Political Economy of Intellectual Property. Boulder, 1996.

Boyle, JamesThe Public Domain. Enclosing the Commons of the Mind. New Haven, 2008.

C

Canclini, Néstor GarciaConsumers and Citizens: Globalization and Multicultural Conflicts. Minneapolis, 2001.

Castells, Manuel, edThe Network Society: A Cross-Cultural Perspective. Cheltenham, 2004.

Castells, Manuel. “Communication, Power and Counter-Power in the Network Society,” in: International Journal of Communication 1 (2007): 238-66.

Castells, ManuelCommunication Power. Oxford, 2009.

Choate, PatHot Property: The Stealing of Ideas in an Age of Globalization. New York, 2005.

D

Davis, Darrel William. “Compact Generation: VCD Markets in Asia,” in: Historical Journal of Film, Radio and Television 23.2 (2003): 165-76.

Dördrechter, NikolaiPiraterie in der Filmindustrie. Wiesbaden, 2006.

G

Govil, Nitin. “War in the Age of Pirate Reproduction,” in: Sarai Reader 4: Crisis Media (2004).

Graham, Stephen and Simon MarvinSplintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London, 2001.

H

Hall, Gary. “Pirate Philosophy (Version 1.0): Open Access, Open Editing, Free Content, Free/Libre/Open Media,” in: Culture Machine 10 (2009): 1-43.

Haupt, AdamStealing Empire: P2P, Intellectual Property and Hip-Hop Subversion. Cape Town, 2008.

J

Jaszi, Peter. “On the Author Effect: Contemporary Copyright and Collective Creativity,” in: The Construction of Authorship: Textual Appropriation in Law and Literature. Eds. Martha Woodmansee and Peter Jaszi. Durham, 1994.

Jenkins, HenryConvergence Culture. Where Old and New Media Collide. New York, 2006.

John, AdrianThe Nature of the Book: Print and Knowledge in the Making. Chicago, 1998.

L

Laikwang, PangCultural Control and Globalization in Asia: Copyright, Piracy, and Cinema. London, 2006.

Larkin, Brian. “Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities,” in: Africa 67.3 (1997): 406-40.

Larkin, Brian. “Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media,” in: Multiculturalism, Postcoloniality, and Transnational Media. Eds. Ella Shohat and Robert Stam. New Brunswick, 2003.

Larkin, Brian. “Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy,” in: Public Culture 16.2 (2004): 289-314.

Lessig, LawrenceThe Future of Ideas: The Fate of the Commons in a Connected World. London 2002.

Lessig, LawrenceFree Culture. How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York, 2004.

Lessig, LawrenceCode. And Other Laws of Cyberspace, Version 2.0. New York, 2006.

Lessig, LawrenceRemix. Making Art and Commerce Thrive in the Hybrid Economy. New York, 2008.

Liang, Lawrence. “Porous Legalities and Avenues of Participation,” in: Sarai Reader 5: Bare Acts (2005): 6-15.

Liang, Lawrence. “Beyond Representation: The Figure of the Pirate,” in: (Con)texts of Invention. Eds. Peter Jaszi, Martha Woodmansee and Mario Biagioli. Chicago, 2009.

Lipsitz, GeorgeDangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. London, 1994.

Lobato, Ramon. “Subcinema: Theorizing Marginal Film Distribution,” in: Limina: A Journal of Historical and Cultural Studies 13 (2007): 113-120.

Lobato, Ramon. “The Six Faces of Piracy: Global Media Distribution from Below,” in: The Business of Entertainment Vol. 1: Movies. Ed. Robert C. Sickels. New York, 2008. 15-36.

M

Manuel, PeterCassette Culture: Popular Music and Technology in North India. New Delhi: OUP, 1991.

Mason, MattThe Pirate’s Dilemma: How Hackers, Punk Capitalists, Graffiti Millionaires and Other Youth Movements Are Remixing Our Culture and Changing Our World. London, 2008.

McLeod, KembrewFreedom of Expression. Resistance and Repression in the Age of Intellectual Property. Minneapolis, 2007.

Miller, TobyTechnologies of Truth: Cultural Citizenship and the Popular Media. Minneapolis, 1998.

N

Nicoletti Mizukami, Pedro and Ronaldo Lemos“From Free Software to Free Culture: The Emergence of Open Business.” Lea Shaver, ed. Access to Knowledge in Brazil: New Research on Intellectual Property, Innovation and Development. New Haven: Information Society Project, 2008.

P

Paradise, PaulTrademark Counterfeiting, Product Piracy, and the Billion Dollar Threat to the US Economy. Westport, 1999.

Philip, Kavita. “What Is a Technological Author? The Pirate Function and Intellectual Property,” in: Postcolonial Studies 8.2 (2005): 199-218.

R

Rötgers, Janko. “P2P: Power to the People,” in: Sarai Reader 4 (2004): 373-377.

S

Sassen, SaskiaGlobalization and its Discontents. New York, 1998.

Sassen, Saskia, edGlobal Networks, Linked Cities. New York, 2002.

Shohat, Ella and Robert Stam, edsMulticulturalism, Postcoloniality, and Transnational Media. New Brunswick, 2003.

Simone, Abdou Maliq. “Pirate Towns: Reworking Social and Symbolic Infrastructures in Johannesburg and Douala,” in: Urban Studies 43.2 (2006): 357-70.

Strangelove, MichaelThe Empire of Mind: Digital Piracy and the Anti-Capitalist Movement. Toronto, 2005.

Sundaram, Ravi. “Recycling Pirate Modernity,” in: Third Text 47, Summer (1999): 59-65.

Sundaram, Ravi. “Uncanny Networks: Pirate and Urban in the New Globalisation in India,” in: Economic and Political Weekly, January 6 (2004).

Sundaram, RaviPirate Modernity. Delhi’s Media Urbanism. London, 2009.

V

Vaidhyanathan, SivaCopyrights and Copywrongs. The Rise of Intellectual Property and How It Threatens Creativity. New York, 2003.

Vaidhyanathan, SivaThe Anarchist in the Library. How the Clash Between Freedom and Control Is Hacking the Real World and Crashing the System. New York, 2005.

W

Wang, ShujenFraming Piracy: Globalization and Film Distribution in Greater China. Boulder, 2003.

Advertisements