A

Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, 1996.

Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy,” in: The Anthropology of Globalization. Eds. Jonathan X. Inda and Renato Rosaldo. Oxford, 2002. 46-64.

B

Ben Atar, Doron. Intellectual Piracy and the Origins of American Industrial Power. New Haven, 2004.

Benkler, Yochai. The Wealth of Networks. How Social Production Transforms Markets and Freedom. New Haven, 2007.

Bettig, Ronald V. Copyrighting Culture: The Political Economy of Intellectual Property. Boulder, 1996.

Boyle, James. The Public Domain. Enclosing the Commons of the Mind. New Haven, 2008.

C

Canclini, Néstor Garcia. Consumers and Citizens: Globalization and Multicultural Conflicts. Minneapolis, 2001.

Castells, Manuel, ed. The Network Society: A Cross-Cultural Perspective. Cheltenham, 2004.

Castells, Manuel. “Communication, Power and Counter-Power in the Network Society,” in: International Journal of Communication 1 (2007): 238-66.

Castells, Manuel. Communication Power. Oxford, 2009.

Choate, Pat. Hot Property: The Stealing of Ideas in an Age of Globalization. New York, 2005.

D

Davis, Darrel William. “Compact Generation: VCD Markets in Asia,” in: Historical Journal of Film, Radio and Television 23.2 (2003): 165-76.

Dördrechter, Nikolai. Piraterie in der Filmindustrie. Wiesbaden, 2006.

G

Govil, Nitin. “War in the Age of Pirate Reproduction,” in: Sarai Reader 4: Crisis Media (2004).

Graham, Stephen and Simon Marvin. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London, 2001.

H

Hall, Gary. “Pirate Philosophy (Version 1.0): Open Access, Open Editing, Free Content, Free/Libre/Open Media,” in: Culture Machine 10 (2009): 1-43.

Haupt, Adam. Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion. Cape Town, 2008.

J

Jaszi, Peter. “On the Author Effect: Contemporary Copyright and Collective Creativity,” in: The Construction of Authorship: Textual Appropriation in Law and Literature. Eds. Martha Woodmansee and Peter Jaszi. Durham, 1994.

Jenkins, Henry. Convergence Culture. Where Old and New Media Collide. New York, 2006.

John, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago, 1998.

L

Laikwang, Pang. Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema. London, 2006.

Larkin, Brian. “Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities,” in: Africa 67.3 (1997): 406-40.

Larkin, Brian. “Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media,” in: Multiculturalism, Postcoloniality, and Transnational Media. Eds. Ella Shohat and Robert Stam. New Brunswick, 2003.

Larkin, Brian. “Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy,” in: Public Culture 16.2 (2004): 289-314.

Lessig, Lawrence. The Future of Ideas: The Fate of the Commons in a Connected World. London 2002.

Lessig, Lawrence. Free Culture. How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York, 2004.

Lessig, Lawrence. Code. And Other Laws of Cyberspace, Version 2.0. New York, 2006.

Lessig, Lawrence. Remix. Making Art and Commerce Thrive in the Hybrid Economy. New York, 2008.

Liang, Lawrence. “Porous Legalities and Avenues of Participation,” in: Sarai Reader 5: Bare Acts (2005): 6-15.

Liang, Lawrence. “Beyond Representation: The Figure of the Pirate,” in: (Con)texts of Invention. Eds. Peter Jaszi, Martha Woodmansee and Mario Biagioli. Chicago, 2009.

Lipsitz, George. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. London, 1994.

Lobato, Ramon. “Subcinema: Theorizing Marginal Film Distribution,” in: Limina: A Journal of Historical and Cultural Studies 13 (2007): 113-120.

Lobato, Ramon. “The Six Faces of Piracy: Global Media Distribution from Below,” in: The Business of Entertainment Vol. 1: Movies. Ed. Robert C. Sickels. New York, 2008. 15-36.

M

Manuel, Peter. Cassette Culture: Popular Music and Technology in North India. New Delhi: OUP, 1991.

Mason, Matt. The Pirate’s Dilemma: How Hackers, Punk Capitalists, Graffiti Millionaires and Other Youth Movements Are Remixing Our Culture and Changing Our World. London, 2008.

McLeod, Kembrew. Freedom of Expression. Resistance and Repression in the Age of Intellectual Property. Minneapolis, 2007.

Miller, Toby. Technologies of Truth: Cultural Citizenship and the Popular Media. Minneapolis, 1998.

N

Nicoletti Mizukami, Pedro and Ronaldo Lemos. “From Free Software to Free Culture: The Emergence of Open Business.” Lea Shaver, ed. Access to Knowledge in Brazil: New Research on Intellectual Property, Innovation and Development. New Haven: Information Society Project, 2008.

P

Paradise, Paul. Trademark Counterfeiting, Product Piracy, and the Billion Dollar Threat to the US Economy. Westport, 1999.

Philip, Kavita. “What Is a Technological Author? The Pirate Function and Intellectual Property,” in: Postcolonial Studies 8.2 (2005): 199-218.

R

Rötgers, Janko. “P2P: Power to the People,” in: Sarai Reader 4 (2004): 373-377.

S

Sassen, Saskia. Globalization and its Discontents. New York, 1998.

Sassen, Saskia, ed. Global Networks, Linked Cities. New York, 2002.

Shohat, Ella and Robert Stam, eds. Multiculturalism, Postcoloniality, and Transnational Media. New Brunswick, 2003.

Simone, Abdou Maliq. “Pirate Towns: Reworking Social and Symbolic Infrastructures in Johannesburg and Douala,” in: Urban Studies 43.2 (2006): 357-70.

Strangelove, Michael. The Empire of Mind: Digital Piracy and the Anti-Capitalist Movement. Toronto, 2005.

Sundaram, Ravi. “Recycling Pirate Modernity,” in: Third Text 47, Summer (1999): 59-65.

Sundaram, Ravi. “Uncanny Networks: Pirate and Urban in the New Globalisation in India,” in: Economic and Political Weekly, January 6 (2004).

Sundaram, Ravi. Pirate Modernity. Delhi’s Media Urbanism. London, 2009.

V

Vaidhyanathan, Siva. Copyrights and Copywrongs. The Rise of Intellectual Property and How It Threatens Creativity. New York, 2003.

Vaidhyanathan, Siva. The Anarchist in the Library. How the Clash Between Freedom and Control Is Hacking the Real World and Crashing the System. New York, 2005.

W

Wang, Shujen. Framing Piracy: Globalization and Film Distribution in Greater China. Boulder, 2003.